 AS I bid farewell to the Potter-verse with the
final page of the seventh book, it seems age
ago that Harry Potter and friends were in
their fifth year and first encountered the
Order of the Phoenix. Oddly, this feeling of
nostalgia is now evoked in a film that has
just only been released. Similarly, the
accompanying soundtrack has a hint of the
familiar, yet is trying primarily for something else.
British composer Nicholas Hooper takes
over from John Williams and continues the
journey into the magic-infused realm of
Potter. And remember, it is in Order of the
Phoenix that things turn a shade darker now
that even their magical school Hogwarts has
been infiltrated (while it was previously a
safe haven)?
This feeling of hesitancy is conveyed with
the usual orchestral tricks - a shrill chorus
builds tension on Dementors in the Underpass
while pizzicato violins bring about the
whimsical movement elsewhere. Those
familiar with the motifs used in earlier
scores will recognise their appearance in
Another Story.
Perhaps it is futile to describe individual
tracks here, but the most noteworthy augmentation of Hooper is the elements added
to convey change in the status quo -- soaring
electric guitars cascade over Fireworks, while
the percussions add a sense of urgency and
determination to Flight of the Order of the
Phoenix.
While a good attempt at continuing the music of the film franchise, this
album will be enjoyed (as a companion to reading the book, perhaps) by fans
of the movie. It doesn't help then that the tracks seem arbitrarily
arranged. This feels like the film franchise playing catch-up with the
books. |